Haug, Judith I.: Ottoman and European Music in ʿAlī Ufuḳī’s Compendium, MS Turc 292: Analysis, Interpretation, Cultural Context : Monograph. 2019
Inhalt
- Contents
- List of Figures
- List of Tables
- Preface
- Introduction
- Codicology
- Notation
- Musical analysis
- 4.1 Repertoire and style
- 4.2 Maḳām
- 4.2.1 Tone system
- 4.2.2 Occurrence of maḳāmlar
- 4.2.3 Explanation and representation
- 4.2.4 Analyses
- 4.2.5 Further comments on maḳām-related phenomena
- 4.3 Uṣūl
- 4.3.1 Theoretical notions and remarks for practice
- 4.3.2 Strategies of representation
- 4.3.3 Analyses
- 4.3.4 Further comments on uṣūl-related phenomena
- 4.4 Genre and form
- 4.5 Murabba˓ and vocal Semā˓ī
- 4.6 Türkī and Varṣaġı
- 4.7 Ġazel
- 4.8 İlāhī
- 4.9 Other religious pieces
- 4.10 Unidentified vocal forms
- 4.11 Peşrev and instrumental Semā˓ī
- 4.12 Other instrumental (untexted) forms
- 4.13 Faṣıl: Performance sequences
- 4.14 Languages other than Ottoman Turkish
- 4.15 European repertoire
- Performance
- 5.1 Instruments
- 5.2 Ornamentation and voice production
- 5.3 Dance and play
- 5.4 Form and structure
- 5.5 Historically informed performance practice
- Tradition and parallel transmission
- Conclusion and desiderata
- Tables
- 8.1 Concordances with L
- 8.2 Concordances with C and K
- 8.3 Poets and composers
- 8.4 Maḳāmlar
- 8.5 Uṣūller
- 8.6 Genre designations
- 8.7 Stanza types
- Description of Manuscripts
- Bibliography
- Index