Synesthesia: The Synthesis of Arts in World Art Culture : Abstracts from a Conference held in Saint Petersburg, March 4–5, 2019. 2020
Inhalt
- Conference Program Committee:
- Contents
- Foreword
- Abstracts
- The Problem of the National: The Relationship between Tradition and Innovation in the Chamber-Instrumental Sonatas of Bakir Bayakhunov
- Understanding of Kuy’s Musical Space in the Course of Ethnosolfeggio
- Dialectics of the Perfect and the Real in Aesthetic Literature in the Middle of the 19th Century
- Synthesis of Arts in Animation of Kazakh Kuy’s ‘Aksak Kulan’
- The Song of the Prophet Oleg by Alexander Pushkin. Musical-Artistic ‘Interpretation’ by Nikolay Rimsky-Korsakov and Victor Vasnetsov
- The Synesthetics of Form in Music
- Dialogue ‘Man – Time’ in Musical Animated Film
- Style Correlations between Different Kinds of Art in Dmitry Likhachev’s Work
- Synthesis of Arts in the Works of Outstanding Representatives of the Modern Musical Direction ‘Classical Crossover’
- Reflections about Raphael’s Fresco Virtue and Law and Ethical Background of European Integration
- Hypercitation in Musical Art of the 20th Century: Forms and Functions
- The Metaphorical Vocabulary of Alphons Diepenbrock
- Maslenitsa, Faustian Theme and Theatre ‘Moralité’ in Alexander Serov’s Opera The Power of the Fiend: The Problem of Artistic and Stylistic Polylogue in Interpretation
- Music Metaphor in Literary-Critical Articles of Marina Tsvetaeva
- Features of Art Synthesis in Giacomo Meyerbeer’s Opera Le Prophète
- Ways of Artistic Perception in Language: Examples of Interpretation of Vincent van Gogh’s Paintings
- Ballet Comedy as a Representation of Life in the Country of Soviets of the 1930s: A Look from the 21st Century
- Synesthesia of Dramatic Action: The Concept of Stanisław Witkiewicz
- Methodological Foundations of ‘Musical Graphics’
- Sofia Bases of Artistic Activities
- Performances and Installations: The Problem of Expanding the Borders of Art (Hermeneutic Aspect)
- How it Started: Synthesis of the Arts in English Ballets of the Late 1920s and Early 1930s. An Analysis, Based on British Newspapers
- Russian Cosmism and Maxim Gorky
- Bulat Galeyev’s Abstract Film The Small Triptych. A Synthesis of the Arts, Realized at the Prometheus-Institute (NII) in Kazan
- Synesthesia: The Development of Its Terminology
- Features of Timbre-Color Mappings. An Empirical Study
- Problems of Synthesis of Arts in Music of the Russian Avantgarde of the 1910s in Relation to a Theory of Synesthesia
- Varieties of Art Synthesis Processes in the Works of French Composers of the Second Half of the 20th and the Beginning of the 21st Century
- Color Visualization in Music Education
- The Four-Handed Sonata in the 20th Century by Francis Poulenc and György Ligeti: Modification of a Genre
- Dialogue of Images: ‘Image of Edessa’ and Ancient Russian Church-Singer Tradition
- Polylogue of Arts in Pedagogical Work
- Themes of the East and the West in the Opera La Princesse Jaune by Camille Saint-Saëns
- Bibliography of Works of the Light Orchestra’s Inventor Grigory Gidoni: Published and Unpublished
- Metaphysical Sources of a Synthesis of Arts in Aesthetics of German Romanticism
- Synesthetics and Synergetics as a Methodology of Modern Musicology
- The Problem of Synesthesia in Musical Culture of the Ancient East
- Der beglückte Florindo and Die verwandelte Daphne by George Frideric Handel in the Context of the Traditions of the Baroque Opera in the Beginning of the 18th Century
- Genre and Stylistic Interactions in the Music of the Middle Phase of Avenir Monfred’s Art
- Modern Practice of Directorial Interpretations of Classical Opera Performance: Specifity of Intermedial Translation
- Music Syntax and Music Syntagmatics: The Question of Borrowing Linguistic Terms in Musicology
- Orient in the Works of Charles T. Griffes
- From the Polylogue to the Performative: Ancient Russian Monody in the Temple Space of the 17th Century
- Batleyka Puppet Theater through the Prism of a Synthesis of Arts
- Polylogue of Emotional and Behavioral Codes of Russian Culture: The Example of Russian Tours of European Primadonnas in the Period between the 1820s and the Beginning of the 1840s
- The Idea of Sound Visualization: Communications and Parallels
- Improving the Quality of Education in Music Using Mechanisms of Interdisciplinary Interactions
- Perception of Music in the Context of Teaching in the Time of Augustine: Possibilities of a Phenomenological Interpretation
- Choreographic Interpretation of the Boléro by Maurice Ravel in the Modern Musical Theater: Experiences of a Synesthetic Analysis
- Jeanne d’Arc au bûcher by Arthur Honegger in Perm: From Mystery to Performance
- The Libretto of George Frideric Handel’s Opera Alcina: A Fairy Tale or an Erotic Novel?
- A Preliminary Overview of the Works of Bulat Galeyev on the Synthesis of Arts, Based on Materials of the Prometheus-Conferences 1969–2008
- The ‘Jazz’ Heritage of Vladimir Dukelsky (Vernon Duke): The Problem of a ‘Memory of Genre’
- Concepts of Synesthesia and a Synthesis of Arts in Aesthetics of French Symbolism and Their Multimedia Echo
- The Ontological and Aesthetic Basis of Polylogue and the Synthesis of Arts: Octets by Osip Mandelstam
- A Synthesis of Arts and Modern Aesthetic Culture
- Synesthesia in the Context of Cultural-Artistic Impulses in the Early Creativity of Igor Stravinsky
- Synesthetic Ideas in the Piano Cycle Vingt Regards sur l’Enfant-Jésus by Olivier Messiaen
- Literary Genres in Music for Solo Violin in the Last Third of the 20th Century as a Phenomenon of Synthesis of Arts
- Synesthetic Aspects of Leo Tolstoy’s Military Prose
- The Virtual East in the Works of Leevi Madetoja
- A Word about Igor’s Regiment. A Monument of Ancient Russian Literature and a Drama Symphony by Alexander Tchaikovsky: The Problem of a Synthesis of Genre Styles
- Genre-Style Interactions in the Works of Kazakhstan Composers: Historical and Aesthetic Aspects
- The Editing of Music: The Performer and Freedom in Interpretation
- Distance and Proximity to the East: Pierre Boulez – Karlheinz Stockhausen – György Ligeti – Torū Takemitsu
- A Semantic Halo of Ludwig van Beethoven’s Music in the Works of Afanasy Fet
- Features of the Perception of Musical and Poetic Works
- Mixing and Conflict of Value Bases of Eastern and Western Cultures in Virtual Arts
- Genre and Style Features of Sergey Diaghilev’s Ballets Russes
- The Synthetic Nature of the Emotive-Suggestive Message in Art
- Lexical and Phonosemantic Synesthetic Associations in Children’s Lullabies: Materials from German and Russian Languages
- The Problem of Synesthesia in the Aesthetics of Emotivism
- The Idea of Dialogue in Passions of Contemporary Composers
- The Temple Action and the Synthesis of the Arts: The Action of the Fiery Furnace Burning by Alexander Kastalsky
- Synesthetic Features of Artists’ Creativity of the Amaravella Group
- Synthesis of Arts in the Context of a Dialogue of Cultures of the East and the West
- Tolstoy and Tchaikovsky: A Virtual Artistic Dialogue in the Ballet Genre
- The Rituals of Traditional Belarusian and Chinese Wedding as a Form of Interaction of Arts
- Interpretation of Russian Folk Songs in Animation
- Musical Graphics in Interpretation of Bogusłav Schaeffer and His Followers
- Manuel de Falla’s Ballet The Three-Cornered Hat and the Spanish Theater Tradition of the 16th and 17th Century
- Japanese Calligraphy as an Intersemiotic Translation
- Color Hearing and Color Thinking in Children. Experiments in Kazan
- The Problem of a Synesthesis in the Cinematography Art: Historical Aspects
- Problems of Spiritual and Aesthetics Integrity and Ecclesiastical Consciousness as the Basis of a Synthesis of Arts: From Paganism to the Avantgarde
- Intersemiotic Translation: Music Timbres in Wordy Expression
- Interaction of Professional and Folk Traditions in the Ballet-Oratorio Mother’s Field by Kaly Moldobasanov
- The Problem of a Performance Style in the Interpretation of Music
- The Problem of Art Synthesis: From Romanticism to Avantgarde
- Again I Will go to the Yellow Garden ... On Variability in the Poetry of Igor Bakhterev
- Word and Music in Piano Works of Joaquín Turina
- Auditory-Visual Synesthesia in the Music of Romantic Composers
- Music in the Compositions of Sukhbat Aflatuni
- Specificity of the Use of Vertical Polystylistic Methods in the Works of Iraida Yusupova
- Musical Varieties of Variable Structure: Historical Manifestations and Opportunities for Application
- Synthesis of Arts in the Activities of the Dutch Studio Drift
- The Relationship between Music Minimalism and Traditional Mongolian Patterns and Ornaments
- The Authors
- International Art Exhibition. Polylogue: The Search for Consonance
- Introduction
- Gennady Zubkov
- Svetlana Tsvirkunova
- Svetlana Moskovskaya (Svetlana Konanchuk)
- Katalina S’Bath
- Victor Kurlandsky
- Ottilie Gruber
- Khachatur Bely (Khachatur White)
- Name Index